His findings, published 1886, in the manuscript entitled "LIUTAI ANTICHI e MODERNI", and now available online in PDF format on Some of the world's most famous violinists, such as A Guarneri violin is a center object in one of Andrea Camilleri's main Montalbano novels "La Voce del violino" (The voice of the violin). he was a soldier in the French army and then for many years traveled extensively in his work as a professional violinist before settling down in Venice and becoming an instrument maker.
Giuseppe Guarneri del Gesù Cremona, c.1729-30/ Giuseppe Guarneri del Gesù Cremona, 1735, “Mary Portman” Giuseppe Guarneri del Gesù Cremona, 1735, “Sennhauser” Giuseppe Guarneri del Gesù Cremona, 1742, “Wieniawski” A. In the third generation, Pietro Guarneri (Peter of Venice), [born april 14th 1695, died april 7th, 1762], incorporated aspects of Venetian instuments into his own, and his brother Giuseppe Guarneri, [born aug. 21, 1698, died oct. 17th, 1744], became the finest violin maker of the Amati line. This instrument by Petrus Guarnerius, Venice, 1737, is published in The Strad, January 1928. Here he blended the Cremonese techniques of his father with Venetian, perhaps working with Domenico Montagnana and Carlo Annibale Tononi . In the Guarneri workshop there was not only Andrea, but also Pietro Giovanni, Pietro Guarneri (or Peter of Venice) and his brother Giuseppe (also called "del Gesu" since he used a cross and the initials I.H.S., which is a monogram for the name Jesus Christ) who worked on the violins. Pietro Guarneri “filius Joseph” – Pietro di Venezia. Born in Kehl, near Strasbourg, . Here he blended the Cremonese techniques of his father with Venetian, perhaps working with Montagnana and Tononi.
Finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718.
Pietro Guarneri (Pietro da Venezia) (14 April 1695 - 7 April 1762), finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718, eventually settling in Venice. Typical label: Petrus Guarnerius filius Joseph Cremonensis fecit Venetiis anno 1740 Lived in Cremona with his father until 1718. A superb violin by MICHELE DECONET Venice, c. 1760. Roughly 30 pages worth. Pietro Guarneri (Peter of Venice or Pietro da Venezia) (April 14, 1695 - April 7, 1762), son of Giuseppe filius Andreae.Last of the Guarneri violin-makers. He worked with his uncle Pietro in Mantua and then on his own in Venice until his death. One of the most important late period masters of the Venetian School, not much is known about Michele Deconet’s life. The Venetian makers of the same period were By 1728 he married Angiola Maria Ferrari on 5th of April (1728), with whom he had ten children.His first original labels from Venice date from 1730. Anthony J. Guarnieri writes, "Giuseppe del Gesù and Peter of Venice may have been cousins rather than brothers, and Peter of Venice may have been the son of Peter of Mantua." Giuseppe del Gesu became the most accomplished of the Guarneris. "Signor Giovanni de Piccolellis, in 1885, searched the archives at the church, San Donato, in Cremona for information on the Guarneri family. Pietro Guarneri di Venezia Sign in to follow this .
Followers 0. Pietro Guarneri di Venezia. The details of Giuseppe Guarneri’s biography cannot be documented after 1720, but it was during this enigmatic period that his son Pietro came into his own, the “Venetian Guarneri,” who was also known as Pietro di Venezia or “filius Joseph.” His instruments are less esteemed than those of his uncle. Two of Andrea's sons continued the father's traditions:
By kohi, September 6, 2017 in The Pegbox. Other Twentieth-century 'del Gesù' players include The Guarneri family's history is partially uncertain. Lived in Cremona with his father until 1718. 30-apr-2015 - Pietro Guarneri 'Of Venice' (1725) A Cello Venice, 1725 Labelled Petrus Guarnerius Cremonensis Filii Josef Venetis Anno 1725 Length of back: 74.9 cm A master combination of the traditions of Cremona and Venice by the elder brother of ‘del Gesù’. 19-mag-2015 - Tarisio | Pietro Guarneri of Venice, 1750, the 'Bailly'