Renate Lippert, "Ein Millimeter schmerzfreie Zone", in: Frauen und Film 39/1985. ), Rote Küsse. 1966 - 1980, Knowledge: seizing of an object by a subject in a world of variable condition.The books and articles below constitute a bibliography of the sources used in the writing of this page. 1970 published in collaboration with Peter Weibel 1966 - 1967,
Lynn Hershmann, "Lust and Anger: The Commodification of Marginality", in: Cinematograph, San Francisco 1988. 17 min 2 min Asemie or the Inability Expressing Oneself through Facial Expressions
Brigitte Jeremias, "Fremdlinge unter uns", in: Frankfurter Allgemeine Zeitung, 22.11.1968. ), Frauen und Film und Video Österreich, Wien 1986.
1986, Hubertus von Amelunxen, "Valie Export", in: European Photography 56/1994. 90 min Veja mais ideias sobre Foto movimento, Velho mestre e Experiência estética. Austrian Photographer, Filmmaker, and Performance ArtistWalking in the street during a film festival in Vienna, EXPORT wore a styrofoam box extending roughly six inches from her body, a hole cut out of the front with a curtain covering it, resembling the architecture of a movie theater. 1991-95 professor at the College of Arts in Berlin teaching design with visual media (both analogue and digital). ), Austrian Avant-Garde Cinema 1955-1993, Katalog, Wien 1994Isabelle Graw, "Aus gegebenem Anlaß", in: Valie Export, Subj. Studied at the School of Arts and Crafts in Linz.
1974.
Heidemarie Seblatnig, "Interview mit Valie Export", in: Seblatnig (Hrsg.
September 10, 2012By Randy Kennedy / These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet.Includes a biography, bibliography, and all her works organized by dateBy Devin Fore /
VALIE EXPORT is a contemporary Austrian artist known for her photographs and radical performances that enter the public into a discourse regarding the female body and male gaze. Roswitha Mueller, "The Uncanny in the Eyes of a Woman", in: Substance 37/38, Wisconsin 1983.
Mai 1940 in Linz ), mit bürgerlichem Namen Waltraud Stockinger , [1] ehemals Waltraud Höllinger , [2] geb. Gislind Nabakowski, "Für mich ist Schwarzweiß Farbe genug", in: Kunst Intern, Bonn, Juli/Aug. Katalog, Paris 1996.
Since 1968 participation in international film festivals. Available for sale from Barbara Gross, VALIE EXPORT, Identitätstransfer I (1973), Color photograph, 67.7 × 45.8 cm 6 min Peter Assmann, "Valie Export - Aktion(en) und Kommunikatio(nen)", in: Valie Export, Katalog OÖ Landesmuseum/OÖ Landesgalerie, Linz 1992. 7 min (120 results)
Sybille Fritsch, "Out of Vienna", in: profil 33/1992.
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Stephen Dwoskin, "Steps Towards A European Co-op", in: Cinim 3/1969 London. 1977, "Bilder von der Zerstörung der Frau", Interview, in: berlinaletip, Berlin 1977.
8 min
1973, Anita Prammer, "Valie Export: Künstlerin zwischen Tradition und Trends", in: Sabine Perthold (Hrsg. Hans Haider, Interview, in: Die Presse, 4.10.1994. Birgit Hein, Film im Underground, Frankfurt/M. 2 min Until 1994 professorship at the University of Wisconsin for film and video. 110 min In German with English subtitlesInterview with the artist from 2012, with English subtitles "VALIE EXPORT Artist Overview and Analysis". Andrea Juno, Interview, in: Research Publications (Hrsg.
1973, Marie Chantal, "Portrait Valie Export", in: Pflasterstrand, Frankfurt 1985. 73 min Maria Rennhofer, Interview, in: Parnass 3/1992. Joanna Kiernan, "Films by Valie Export", in: Millenium Film Journal 20th Anniversary Special Edition, N.Y. 1986. Interview mit Valie Export", in: Falter 2/1985. 2009, Developing her practice during the 1960s in an Austria that was still coming to terms with its role in the Second World War, and influenced by Viennese Actionism, her early work consisted of performances in which she challenged public audiences with sexualized actions that asked them to examine women's experience, with a focus on the ways in which their bodies were subject to the male gaze in cinema.
Selbstportrait mit Zigarette [VALIE EXPORT - SMART EXPORT. 18 min
Martha Davis, "Genders and Genres", in: Twin Cities Reader, Minneapolis 1989. Zur Entwicklung des Avantgarde-, Experimental- und Undergroundfilms in der Zweiten Republik", in: Hans H. Fabris/Kurt Luger (Hrsg. Valie Export, Body Configurations VALIE EXPORT, Body Configuration, Wir sind Gefangene unserer Selbst, We are prisoners of our own selves, 1972. ), Austrian Avant-Garde Cinema 1955-1993, Katalog, Wien 1994Peter Tscherkassky, The Light of Periphery. ), Lavant-garde autrichienne au cinéma 1955-1993.
45 min ), Angry Women, San Francisco 1991.